Melvilles Trimurti Essay -- Moby Dick Herman Melville Literature Essa

Melvilles Trimurti Throughout Moby Dick, Herman Melville offers his reader a mlange of foreign curiosities and exotic points of interest that add both depth and food grain to the narrative. The abundance of such exotica, however, can prove overwhelming, and many of the novels briefly noted yet remarkably important cultural signposts get lost in the mix. Often overlooked, Melvilles use of Hindu imagery not only lends a sense of mysticism to the novel, but also helps to define the dynamic that operates betwixt pariah, Ahab, and Moby Dick. Understanding this dynamic offers insight into Melvilles efforts at defining the novel as an art form as well as his attempts at shape the roles of author, reader, and novel in relationship to for each one other.i The readers initiation into Hindu elaboration begins sublimely, and in the most Christian of settings, in a chapel. Deeply travel by the cold, stone tablets commemorating those who have died at sea, Ishmael goes on to invoke t he foreign religion Oh ye whose dead lie buried at a lower place the green grass who standing among flowers can say--here, here lies my beloved ye have a go at it not the desolation that broods in bosoms like these. What bitter blanks in those black-bordered marbles which cover no ashes What despair in those immovable inscriptions What deadly voids and voluntary infidelities in the lines that seem to gnaw upon all Faith, and refuse resurrections to the beings who have placelessly perished without a grave. As well might those tablets stand in the cave of Elephanta as here. (64) As well might those tablets stand in the cave? As well might we Here, the power of the written word is such that Ishmael can transport the reader from the domestic tranquillity ... ...al Sources for the Study of Hinduism. impudent Jersey Barnes and Noble, 1988. Organ, Troy Wilson. The Hindu Quest for the Perfection of Man. Ohio Ohio UP, 1980. Sharma, Brijendra Nath. Iconography of Sadasiva. New D elhi Abhinav, 1976. Notes i Although H. Bruce Franklin argues against Melvilles use of Hindu mythology in Moby Dick, favoring instead Egyptian mythology, H.B. Kulkarni thoroughly answers each of Franklins objections, suggesting that Moby Dick has room enough not only for Hindu and Egyptian myths, but many more (Kulkarni 6). ii That is, Ishmael shapes the course of the frolic as it exists on the page. To suggest that Ishmael shapes events as they occur on the ship would cast doubt on his veracity as a narrator. iii Indeed, Call me Ishmael invites the reader to engage in a fairly intimate relationship with the narrator.